Beyond words

By Martin L. Smith

I’ve been traveling around Turkey, in slow trains and buses that give leisure for musing. Ancient sites passed by and triggered old memories from reading the spiritual classics. I peered through the window at Nevsehir on the way through Cappadocia, which was the see city of the bishop, mystic and theologian Gregory of Nyssa. Later, as I walked through canyons riddled with ancient monasteries and settlements, I got to thinking about what the ancient fathers of the Church can still teach us. We think of theology as the profession of academics, but this wasn’t true in Christianity’s springtime. At first the word theology referred not to a field of study, but first hand spiritual knowledge gained from contemplation. “If you are a theologian, you pray in truth. If you pray in truth, you are a theologian,” wrote Evagrius, one of the pioneers of Christian spirituality.

Today the word ‘theology’ is so embarrassingly degraded that TV pundits often use the term as a scathing reference to abstruse theorizing unmoored in reality. And the word ‘orthodoxy’ has had a similar fate. These days, orthodoxy is almost a synonym for rigid dogmatism and moralism, hidebound ecclesiastical formulas in which changeless truth is supposed to be set in stone. But originally orthodoxy meant the lived experience of being on the right track (orthos) in giving glory (that’s what doxa means) to God, in worshipping and adoring God, in community. And what these pioneers of Christian orthodoxy insisted on, with all the eloquence at their disposal, was the utter impossibility of capturing God in words and images, or grasping God in even the most sublime spiritual experience. God surpasses anything we can possibly say or imagine, and all our experiences of God are merely touching the hem of his garment. God is without rival and nothing is really like God, therefore all language, all symbolism, all our metaphors can only point into further unexplored depths. Christian orthodoxy was—dear God, what has become of it?—a passionate commitment to the mystical core of the Gospel. As such, orthodoxy is the polar opposite of what we call fundamentalism.

As our trains rumbled through the endless valleys of Anatolia, I was running over in my mind some of the meditations that Gregory has left us. He wrote a marvelous commentary on the life of Moses, using it as an allegory of the journey of faith. He comes to that strange vision that Moses has from the cleft in the rock, when he is allowed a fleeting glimpse of God’s backside. This odd detail in the legend Gregory takes as a symbol of the truth that we can only follow God. God is always ahead of us, leading us out of ourselves further into the unexplored territory of his glory. We can only see God’s back, because he is carrying us on his back into mystery. And Gregory taught that even in eternity we will always be on the move as explorers into God, since God is infinite and inexhaustible. There will always be more God to know.

The Church Fathers surprise us. Later I stayed in Sanliurfa, ancient Edessa, a city which embraced Christianity in the second century. I thought about Saint Ephrem who lived and worked here at a time when the city was ringing with a cacophony of rival versions of Christianity (not so unlike modern America.) How did he bear witness as a voice for the orthodox teaching about the Incarnation and the Trinity?

Not through argument, lectures, propaganda, classes. He bore witness through passionate song, writing hundreds of lyrical, fabulously imaginative hymns which were sung in the public squares by a dedicated choir of women. For him, the incandescent truth of the Christian message was best suited to poetry, in the exaltation of music, not prosaic argument. And this is the strange, paradoxical dynamic of the theology of the ancient fathers. At one and the same time they are passionate about the absolutely mysterious character of God, the utter impossibility of defining him, and yet they feel authorized and inspired to use a vast array of imaginative, even outrageous symbols and metaphors, to point to the mystery. Orthodoxy is the paradoxical state of being both blinded by the dazzling darkness of God’s unknowability and of being thrilled by God’s encouragement and permission, through the Incarnation, to deploy every kind of metaphor and poetic symbol to kindle the heart’s awareness of the attractiveness of God’s beauty and power and love. Ephrem’s poetry, like Dante’s, is ablaze with the erotic audacity of lovesong. We pray for God to send laborers into his harvest. Are we praying for spiritual poets, prophets and visionaries, who will help us set our speech about God on fire again today? Or will we as Episcopalians succumb to the fate of becoming—you know—the bland leading the bland?

Martin Smith is well-known in the Episcopal Church and beyond as a priest, writer, preacher and leader of retreats. Through such popular works as A Season for the Spirit and The Word is Very Near You and in numerous workshops, lectures and retreats, he continues to explore a contemporary spirituality that encourages a lively conversation between new knowledge and the riches of tradition.

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