Traditional versus … Growth?

by Rie Linton

The website Patheos.org posted an article on August 17, 2013 written by David Murrow entitled “Why Traditional Churches Should Stick With Traditional Worship”. The article was very well-written and talked about a church that attempts to be inclusive to all varieties of those worshipping. Once a month it has a more contemporary service and the music is “Praise” anthems accompanied by a guitar.

The writer mentioned that most in the congregation do not know these hymns and few sing along, even with the aid of a giant screen that lowers with the words on it. The writer also said the guitarist did not keep a steady rhythm. Interestingly, one of his compliments about this church [which is not his home parish but is a parish in the town where he and his wife live] was that “the people are friendly, but not overly so”.

Mr. Murrow distinguishes between the praise anthems and hymns so perhaps I should first point out that any song sung during the church service can qualify as a hymn. The national church has directives and each diocesan bishop employs these as he or she sees fit but basically, if a song has been approved to be a part of the Eucharist, it qualifies as a hymn. Apparently the writer is one of the few who attends a church where the entire congregation sings. I can assure him that this is not the norm. Also, rhythms change so the accompanist follows the music and contemporary music has syncopation.

Perhaps I should state at this juncture that Gregorian chants are one of my most favorite forms of music. I also do a mean calligraphy copy of some of the earliest printed music so I am not one to want every Eucharist to be a U2charist. That said, I did arrange and direct one of the first folk masses performed in Province IV way back in the early part of the 1970’s. As a youth minister, the youth group wanted to do something for the parish and they wanted to do a folk mass. Most were neither musicians nor singers but their sincerity and faith made the service a beautiful experience for all.

The writer of this piece compares a church to a radio station and encourages the church to stay within its “genre”, to “do what you do best”. He concludes by stating: “What has this got to do with men? Guys appreciate a quality worship service — but they are not very forgiving of anything hokey or half-baked.”

Liturgical composer and acclaimed folk mass historian Ken Canedo traces the roots of the folk mass back to Gregorian chant, although it received the blessing of the Roman Catholic Church with Vatican II. It began in the Roman Catholic Church and slowly grew in popularity and acceptance. Gospel songs became upbeat and rearranged as churches opened their doors to all of God’s children, not a select few of a particular color or social status or neighborhood.

The writer asked “What has this got to do with men?” Fortunately for mankind, the worship service is not about perfection nor is it only for men. The focus isn’t even humankind. The Eucharist is about God and connecting with Him, recognizing the history and elements of our faith and denominational doctrine. It is a time of meditation, confession, supplication, appreciation, and connection.

Hebrews 12: 1-2 compares a spiritual life to running a race. One gets nowhere in a race by standing still or doing the same thing over and over again. Amos and Malachi also address the issue of stagnant churches and stagnant believers. We are all very lucky that God is open to change and forgiving, since many of our daily attempts at living can end up “hokey or half-baked”.

Where would we be today if medicine had decided not to try new things, new procedures, and new cures? How comfortable would we be in our churches if we had none of the advantages of the Industrial Revolution? How many people would come to coffee hour if you had to brew it over an open fire because there was no electricity? I have worshipped in historic churches dating back to the 1730’s. They are lovely with their box pews, etc. They are also chilly, drafty, and the candles needed for light are a great fire hazard.

When we resist learning new things, we limit ourselves. When we limit ourselves, we limit God. No one is born knowing the Nicene Creed or Lord’s Prayer. We had to learn it to love it. When we learn to appreciate the language and music of all God’s children, then we will love our neighbors as ourselves. Religion may be traditional but we are called to be contemporary in living our faith. It’s called growth.

Rie Linton is a professional musician and conductor, writer, graphic artist, community family values educator and child advocate, a lifelong Episcopalian who has served as Girls Friendly leader, EYC advisor, church school director/teacher, ECW officer, church musician, EfM journeyer, and member of the Order of Daughters of the King. She hosts the blog n2myhead, is currently developing a curriculum on Diversity and lives in Huntsville, AL.

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